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There are many settings of this in Ireland. It’s also widely played by many old-timey fiddlers in the U.S. My playing of it is inpired by the pipe setting of Séamus Ennis. I’ve also been drawn to Julia Clifford’s and Denis Murphy’s slightly different way of expressing it. At a conservative guess, I’d venture to say that this is in the region of 150 years old.
(3ABc | dAFA GBAG | FEFA dFGE | FAde dcBA |
(3BAG EF GABc | dAFA GBAG | FEFA dFGE | FAef gecd |
eddc d2 (3ABc || dAFA GBAG | (3FFE FA dFGE | FAde dcBA |
(3BAG EF GABc | dAFA GBAG | FEFA dFGE | FAef gecd |
eddc dd d f || ecAc efge | fd{/f} dd adfd | eA (3Bcd efgf |
(3efe (3dcB AGFA | BG{/B} GG BGdB | AF (3ABc defd | (3ABA fd Bgec |
(3ded dc defd || ecAc efge | fd{/f} dd adfd | eA (3Bcd efgf |
(3efe (3dcB (3ABA FA | BG{/B} GG BGdB | AF (3ABc defd | (3ABA fd Bgec |
(3ded de dABc || dAFA GBAG | F/G/F/E/ FA dFGE | FAde dcBA |
(3BAG EF GEce | dA{/A} FA GBAG |{/G} FEFA dFGE | FAef gecd |
eddc dd dd/e/ || dAFA GBAG | FEFA dFGE | FAde dcBA |
(3BAG EF GABc | dAFA GBAG | FEFA dFGE | FAef gecd |
eddc (3ded df || ecAc efge | fd{/f} dd adfd | eA (3Bcd efgf |
(3efe (3dcB A2{/A} FA | BG{/B} GG BGdB | AF (3ABc defd | (3ABA fd Bgec |
(3ded dc defd || ecAc efge | fd{/f} dd adfd | eA (3Bcd efgf |
(3efe (3dcB ADFA | BG{/B} GG BGdB | AF (3ABc defd | (3ABA fd Bgec |
(3ded dc d4 |