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Galway’s Paddy Fahy created this setting of ‘The Groves,’ with four parts intead of the usual five. Paddy chose the key of F, which gives the tune an earthy warmth on his fiddle. Piper Seamus Ennis also played it with five parts. His setting of it is influenced by the use of F sharps, which move this tune into another dimension of melody-one that reminds me of ‘The Drunken Sailor’ hornpipe. Both settings of this are remarkable when one compares them as examples of musical creativity.
e3 =f2 | ge c'g fbaf | ge c'g fg af | gf ga gf =fe |
dc de d2 e=f | ge c'g fg af | ge c'g fg af | gf ga gf =fe |
dc de cd e=f || ge c'g fg af | ge c'g fg af | gf ga gf =fe |
dc de d2 e=f | ge c'g fg af | ge c'g fg af | gf ga gf =fe |
dc de cd Bd || AB cd ec A=f | =fd Bd ec Ac | (3BAG Ed BGEd |
(3efe de cdBd | ABcd ecA=f | =fdBd ec (3ABc | B{/A} GEd BGEd |
edcB (3ABA AG || ABcd ecA=f | =fdBd ecAc | BGEd BGEd |
(3efe de cdBd | ABcd ecA=f | =fdBd ecAc | BGEd BGEd |
edcB (3ABA AG || ABcd e2 ce | =f2 df (3ege ce | (3d=fd Bd cdBe |
E^GBE edBG | ABcd eceg | =f2 df (3ege ce | d2 Bd cdBe |
E^GBG A2 A=G || ABcd e2 ce | =f2 df (3ege ce | d2 Bd cdBe |
E^GBE edBG | ABcd eceg | =f2 df (3ege ce | (3d=fd Bd cdBe |
E^GBG A4 || ge c'g fgaf | ge c'g fg af | gf ga gf =fe |
dc de (3ded e=f | ge c'g fb af | ge c'g fg af | gf ga gf =fe |
dc de cd e=f || ge c'g fg af | ge c'g fg af | gf ga gf =fe |
dc de (3ded e=f | ge c'g fg af | g2 c'g fgaf | gf ga gf =fe |
dc de cd Bd || AB cd ec Ag | =fd Bd ec Ae | BGEd BGEd |
(3efe de cdBd | ABcd ecA=f | =fdBd ec (3ABc | B{/A} GEd BGEd |
edcB (3ABA AG || ABcd ecA=f | =fdBd ecAc | BGEd BGEd |
(3efe de cdBd | ABcd ecA=f | =fdBd ecAc | (3BAG Ed BGEd |
edcB (3ABA AG || ABcd eece | =f2 df (3ege ce | (3d=fd Bd cdBe |
E^GBE edBG | ABcd eceg | =f2 df (3ege ce | (3ded Bd cdBe |
E^GBG (3ABA A=G || ABcd e2 ce | =f2 df (3ege ce | (3ded Bd cdBe |
E^GBE edBG | ABcd eceg | =f2 df (3ege ce | (3d=fd Bd cdBe |
E^GBG A4 |