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As I continue here, I cannot help wondering why so many beautiful tunes in O’Neill’s book are ignored and not played by the musicians of today. This jig is another example of an unplayed tune. Thanks to James Kelly, I am able to include it here.
f2 f fef cAF | fgf fdc d2 e | f2 f fef cAF | dBG GAc d2 c | f2 f fdf cAF | fgf fdc d2 e | f2 f fdf cAF | dBG GAc d2 c || (3A=Bc A F2 d cAF | (3A=Bc A F2 _e d2 c | (3A=Bc A F2 d cAF | dBG GAc d2 c | (3A=Bc A F2 d cAF | (3A=Bc A F2 _e d2 c | (3A=Bc A F2 d cAF | dBG GAc d2 c || f2 f fef cAF | fgf fdc d2 e | f2 f fef cAF | dBG GAc d2 c | f2 f fdf cAF | fgf fdc d2 e | f2 f fdf cAF | dBG GAc d2 c || (3A=Bc A F2 d cAF | (3A=Bc A F2 _e d2 c | (3A=Bc A F2 d cAF | dBG GAc d2 c | (3A=Bc A F2 d cAF | (3A=Bc A F2 _e d2 c | (3ABc A F2 d cAF | dBG GAc d3- | d3 |