Songs from Miss Honoria Galwey in A. P. Graves and Charles Wood, eds., Irish Folk Songs

Interactive music scores of arrangements, some through-composed, of tunes collected by Miss Honoria Galwey and arranged by Charles Wood, sometime professor of music in the University of Cambridge, which are also available in facsimile. These arrangements are notationally and harmonically interesting, and are the most complex arrangements of traditional tunes which have been set by Irish Traditional Music Archive staff to date.

Nicholas Carolan, Treasa Harkin & Jackie Small, 19 December 2014

Irish traditional music from the James Goodman manuscripts, Volume 2 / Hugh & Lisa Shields, eds.
Dublin: Irish Traditional Music Archive / Taisce Cheol Dúchais Éireann, 2013

James Goodman (1828─1896) from the Dingle area of West Kerry, a Canon of the Church of Ireland, Professor of Irish in Trinity College Dublin, and an accomplished performer on the Irish or uilleann pipes, compiled a highly important manuscript collection of Irish traditional music in the 1860s. Drawn to a great extent from the oral tradition of Munster, and partly from other manuscripts and printed sources, a book edition of the collection Tunes of the Munster Pipers has now been published for the first time, by the Irish Traditional Music Archive, in two volumes, edited by Hugh and Lisa Shields.

The first volume of the edition contains 515 song airs and dance tunes, and the second volume 536 ─ a total of 1,051 melodies in all.

The volumes contain all the melodies which Goodman himself noted down from the pipers and other performers of his native province, and those melodies not now otherwise available which he drew from manuscripts belonging to his musical colleagues. The tunes in the Goodman manuscripts which he copied from printed sources have been excluded. The edition provides musicians and scholars of the present day with a unique body of Irish music from the south-west region and gives unrivalled insights into the traditional music and song of Irish-speaking pre-Famine Ireland.

The edition also contains essays on Goodman’s life and career, and on his collection, based on new research. It is accompanied by a substantial online index of research information on the whole Goodman collection.  Both volumes are available to purchase from the ITMA shop.

Dr Hugh Shields (1929─2008), Fellow Emeritus of Trinity College Dublin and former Senior Lecturer in French in the college, collected and studied traditional music from the 1950s, especially in Ireland and with particular emphasis on Ulster. He published many articles and sound recordings on the subject, and his Shamrock, Rose and Thistle: Folk Singing in North Derry (1981) and Narrative Singing in Ireland: Lays, Ballads, Come-All-Yes and Other Songs (1993) are standard works. Lisa Shields, his wife and a player of concertina and uilleann pipes, is a graduate in modern languages from TCD. She is the former Librarian of the Irish Meteorological Service.

The interactive scores from the book have been divided into two notated collections, each featuring c. 250 tunes.

Nicholas Carolan, Lisa Shields, Treasa Harkin, & Jackie Small, 12 April 2015

Irish traditional music from the James Goodman manuscripts, Volume 1 / Dr Hugh Shields, ed.
Dublin: Irish Traditional Music Archive / Taisce Cheol Dúchais Éireann, 1998

James Goodman (1828─1896) from the Dingle area of West Kerry, a Canon of the Church of Ireland, Professor of Irish in Trinity College Dublin, and an accomplished performer on the Irish or uilleann pipes, compiled a highly important manuscript collection of Irish traditional music in the 1860s. Drawn to a great extent from the oral tradition of Munster, and partly from other manuscripts and printed sources, a book edition of the collection Tunes of the Munster Pipers has now been published for the first time, by the Irish Traditional Music Archive, in two volumes, edited by Hugh and Lisa Shields.

The first volume of the edition contains 515 song airs and dance tunes, and the second volume 536 ─ a total of 1,051 melodies in all.

The volumes contain all the melodies which Goodman himself noted down from the pipers and other performers of his native province, and those melodies not now otherwise available which he drew from manuscripts belonging to his musical colleagues. The tunes in the Goodman manuscripts which he copied from printed sources have been excluded. The edition provides musicians and scholars of the present day with a unique body of Irish music from the south-west region and gives unrivalled insights into the traditional music and song of Irish-speaking pre-Famine Ireland.

The edition also contains essays on Goodman’s life and career, and on his collection, based on new research. It is accompanied by a substantial online index of research information on the whole Goodman collection.  Both volumes are available to purchase from the ITMA shop.

Dr Hugh Shields (1929─2008), Fellow Emeritus of Trinity College Dublin and former Senior Lecturer in French in the college, collected and studied traditional music from the 1950s, especially in Ireland and with particular emphasis on Ulster. He published many articles and sound recordings on the subject, and his Shamrock, Rose and Thistle: Folk Singing in North Derry (1981) and Narrative Singing in Ireland: Lays, Ballads, Come-All-Yes and Other Songs (1993) are standard works. Lisa Shields, his wife and a player of concertina and uilleann pipes, is a graduate in modern languages from TCD. She is the former Librarian of the Irish Meteorological Service.

The interactive scores from the book have been divided into two notated collections, each featuring c. 250 tunes.

Nicholas Carolan, Lisa Shields, Treasa Harkin, & Jackie Small, 12 April 2012

Irish traditional music from the James Goodman manuscripts, Volume 2 / Hugh & Lisa Shields, eds.
Dublin: Irish Traditional Music Archive / Taisce Cheol Dúchais Éireann, 2013

James Goodman (1828─1896) from the Dingle area of West Kerry, a Canon of the Church of Ireland, Professor of Irish in Trinity College Dublin, and an accomplished performer on the Irish or uilleann pipes, compiled a highly important manuscript collection of Irish traditional music in the 1860s. Drawn to a great extent from the oral tradition of Munster, and partly from other manuscripts and printed sources, a book edition of the collection Tunes of the Munster Pipers has now been published for the first time, by the Irish Traditional Music Archive, in two volumes, edited by Hugh and Lisa Shields.

The first volume of the edition contains 515 song airs and dance tunes, and the second volume 536 ─ a total of 1,051 melodies in all.

The volumes contain all the melodies which Goodman himself noted down from the pipers and other performers of his native province, and those melodies not now otherwise available which he drew from manuscripts belonging to his musical colleagues. The tunes in the Goodman manuscripts which he copied from printed sources have been excluded. The edition provides musicians and scholars of the present day with a unique body of Irish music from the south-west region and gives unrivalled insights into the traditional music and song of Irish-speaking pre-Famine Ireland.

The edition also contains essays on Goodman’s life and career, and on his collection, based on new research. It is accompanied by a substantial online index of research information on the whole Goodman collection.  Both volumes are available to purchase from the ITMA shop.

Dr Hugh Shields (1929─2008), Fellow Emeritus of Trinity College Dublin and former Senior Lecturer in French in the college, collected and studied traditional music from the 1950s, especially in Ireland and with particular emphasis on Ulster. He published many articles and sound recordings on the subject, and his Shamrock, Rose and Thistle: Folk Singing in North Derry (1981) and Narrative Singing in Ireland: Lays, Ballads, Come-All-Yes and Other Songs (1993) are standard works. Lisa Shields, his wife and a player of concertina and uilleann pipes, is a graduate in modern languages from TCD. She is the former Librarian of the Irish Meteorological Service.

The interactive scores from the book have been divided into two notated collections, each featuring c. 250 tunes.

Nicholas Carolan, Lisa Shields, Treasa Harkin, & Jackie Small, 12 April 2015

The Illustrated London News (ILN) was the world’s first illustrated weekly newspaper and was first published on Saturday, 14 May 1842. Published by Herbert Ingram, this Victorian publication reached a weekly circulation of over 300,000 copies, bringing news to life with detailed woodcut engravings depicting personalities and events of the day. Success brought other competitors to the market and in 1869, former ILN engraver William Luson Thomas launched The Graphic. These newspapers now provide the modern reader with a visual record of history including events relating to Ireland, and an insight into Victorian perceptions of the Irish.

We have digitised a selection of these illustrations taken from ITMA’s own newspaper collections.  These were published between 1844 and 1893 and depict or include Irish music, song, dance or musical instruments. Political parades featuring marching bands; banners & flags bearing a symbolic harp; St. Patrick’s Day celebrations; dancers and ballad singers as well as well-known musical figures such as Thomas Moore & George Petrie are among the selected images. Some are of a journalistic nature while others betray a more caricaturist approach to the depiction of the Irish during the 19th century.

The Illustrated London News ceased publication in 2003 and The Graphic in 1932.

Tá na sleachta ceoil seo – foinn traidisiúnta rince agus foinn mhalla a bhí á seinm roimh aimsir an Ghorta – le cloisint thuas leis an bpíobaire uilleann agus an craoltóir raidió aitheanta Peter Browne. Tagann na foinn as bailiúchán mór ceoil a chuir an Canónach James Goodman i dtoll a chéile ar phár sna 1860í. Píobaire uilleann oilte ab ea Goodman, ministir de chuid Eaglais na hÉireann agus ollamh le Gaeilge i gColáiste na Trionóide BÁC, mar a mhaireann a lámhscríbhinní. D’fhoilsigh Taisce Cheol Dúchais Éireann os cionn 500 píosa traidisiúnta astu i 1998 mar Tunes of the Munster Pipers (TMP), curtha in eagar ag Hugh Shields; tá imleabhar eile d’fhoinn ón mbailiúchán, an t-imleabhar deireanach, curtha in eagar ag Hugh agus Lisa Shields, le fáil ó siopa ITMA.

Sheinn Peter Browne na píosaí seo don chéad uair i Márta 2009 mar léaráidi do léacht ‘An tUrramach James Goodman (1828–96): Fear Eaglasta, Ceoltóir agus Bailitheoir Ceoil’ a thug Nicholas Carolan, Stiúrthóir Thaisce Cheol Dúchais Éireann, mar léacht oscailte na sraithe ‘Foinn agus Focail’. Ba é an daicheadú sraith é de Léachtaí Cholm Cille, a eagraíonn Scoil an Léinn Cheiltigh in Ollscoil na hÉireann, Maigh Nuad, chuile bhliain. Ba iad na cainteóirí eile, ar théamaí a bhain leis an 18ú agus an 19ú haois, Patrick F. Devine ar cheoltóirí Éireannacha i gcomhthéasc Eorpach, Úna Uí Chuinn ar an mbailitheoir amhrán Pádraig Ó Loinsigh, Lesa Ní Mhunghaile ar an údar agus aistritheoir amhrán Charlotte Brooke, Proinsias Ó Drisceoil ar an bhfoilsitheoir amhrán agus ceoil Seán Ó Dálaigh, Deirdre Ní Chonghaile ar lámhscribhinní ceoil a bhreac George Petrie agus Eoghan Ó Comhraí in Árainn, Domhnall Uilleam Stiúbhart ar an mbailitheoir Albanach amhrán Alasdair MacGilleMhícheil, and Ruairí Ó hUiginn ar an mbailiúchán amhrán Amhráin Chlainne Gaedheal a foilsíodh i 1905 ag Mícheál agus Tomás Ó Máille as Gaillimh.

Seinneadh na sleachta seo arís le Peter Browne agus taifeadadh iad i stiúideo na Taisce le Danny Diamond ar 2 Márta 2010, agus do chéad-foilsíodh iad ar an Idirlíon ar 26 Márta nuair a bhí leabhar léachtaí 2009 Foinn agus Focail: Léachtaí Cholm Cille XL á fhoilsiú in Ollscoil Mhaigh Nuad, oíche oscailte an chéad sraith is daichead de Léachtaí Cholm Cille. Tá an t-imleabhar curtha in eagar ag an Ollamh Ruairí Ó hUiginn, agus foilsithe ag An Sagart, Maigh Nuad (162 lgh., ISSN 0791 8658, ISBN 1 9033896 60 6). Tá sé le fáil díreach ó Scoil an Léinn Cheiltigh, Ollscoil na hÉireann, Maigh Nuad, Co Chill Dara (nua.ghaeilge@nuim.ie).

The selection of pre-Famine traditional dance music and airs played above by the well known Dublin uilleann piper and radio broadcaster Peter Browne comes from the large music manuscript collection compiled in the 1860s by Canon James Goodman from the Dingle area of Irish-speaking west Co Kerry. Goodman was an expert uilleann piper, a clergyman of the Church of Ireland and professor of Irish in Trinity College Dublin, where his manuscripts are held. Over 500 Goodman tunes from oral sources were published by the Irish Traditional Music Archive in 1998 as Tunes of the Munster Pipers (TMP), edited by Hugh Shields; a second volume, edited by Hugh and Lisa Shields, was published in 2013 and is available from the ITMA shop.

Peter Browne first performed this selection in March 2009 to illustrate the opening lecture – ‘An tUrramach James Goodman (1828–96): Fear Eaglasta, Ceoltóir agus Bailitheoir Ceoil’ by ITMA Director Nicholas Carolan – of the fortieth series ‘Foinn agus Focail’ of Léachtaí Cholm Cille, an annual Irish-language lecture series organised by the Irish Department of the National University of Ireland Maynooth. Other contributors to the series, on 18th- and 19th-century themes, were Patrick F. Devine on Irish musicians in a European context, Úna Uí Chuinn on the song collector Patrick Lynch, Lesa Ní Mhunghaile on the author and song translator Charlotte Brooke, Proinsias Ó Drisceoil on the song and music publisher John O’Daly, Deirdre Ní Chonghaile on Aran islands music manuscripts by George Petrie and Eugene O’Curry, Domhnall Uilleam Stiùbhart on the Scottish song collector Alastair Carmichael, and Ruairí Ó hUiginn on the 1905-published Galway song collection Amhráin Chlainne Gaedheal.

The selections here were played by Peter Browne and recorded in the ITMA studio by Danny Diamond on 2 March 2010, and were first published on the Internet to coincide with the book publication of the 2009 lectures Foinn agus Focail: Léachtaí Cholm Cille XL in NUI Maynooth on 26 March, the opening night of the forty-first series of Léachtaí Cholm Cille. The volume, edited by Professor Ruairí Ó hUiginn, is published by An Sagart, Maigh Nuad (162 pp., ISSN 0791 8658, ISBN 1 9033896 60 6). It is to be had directly from Scoil an Léinn Cheiltigh, National University of Ireland, Maynooth, Maigh Nuad, Co Kildare (nua.ghaeilge@nuim.ie).

With thanks to Peter Browne and Ruairí Ó hUiginn.

Nicholas Carolan & Danny Diamond, 1 April 2010