Carolan, Nicholas, ‘The Goodman phenomenon’ in An píobaire vol. 13, no 1 (January 2017), pp. 25–28
Casey, Marion R., ‘Was Victor Herbert Irish?’ in History Ireland vol. 25, no 1 (Jan/Feb 2017), pp. 20–23
Connolly, Imelda, Traditional Irish concertina playing as a case study of the transmission of musical skills Thesis (MA): University of Sheffield, 2016. ix+112 pp.
Doherty, Liz, The Cape Breton fiddle companion Sydney, NS: Cape Breton University Press, 2015. xxviii+425 pp. ISBN 9781772060249 (pbk)
Kelly, Michael, ‘The Cloonfad piper. Part 1’ in An píobaire as above, pp. 20–24. About uilleann piper Eddie Burke
Lawrence-King, Andrew, Katerina Antonenko & Natalia O’Shea, ‘The historical Irish harp: myths demystified’, in Dafydd Johnston, Elena Parina & Maxim Formin eds, ‘Yn llawen iawn, yn llawn iaith’: proceedings of the 6th International Colloquium of Societas Celto-Slavica (= Studia Celto-Slavica 7). Aberystwyth: University of Wales Centre for Advanced Welsh and Celtic Studies, 2015, pp. 253–80
McKiernan, Seán, ‘A tribute to a great piper, some thoughts and observations’ in An píobaire as above, pp.14–15. About uilleann piper Tomás Ó Ceannabháin
Moylan, Terry, ‘Tunes from the Pat Ward MS’ in An píobaire as above, pp. 18–19
Ní Chualáin, Aingeal, ‘Idirthéacsúlacht na n-amhrán i saothar Phádraig Óig Uí Chonaire’ in Ruairí Ó hUiginn & Liam Mac Cóil eds, Bliainiris 11, Indreabháin: Leabhar Breac, 2016, pp. 176–91
Ó Drisceoil, Proinsias, ‘Seán Ó Dálaigh’, in Decies. Journal of the Waterford Archaeological & Historical Society no 72 (2016), pp. 72–84. Song editor and publisher
Ó Maolfabhail, Art, ‘Fág an bealach! An triúr acu’, in Bliainiris 11 as above, pp. 140–75. The phrase in song and elsewhere
Ward, Larry, ‘Pat Ward: uilleann piper and fiddler 1847–1928’ in Drumconrath in the 1800s: a cradle of Irish culture [S.l.]: Larry Ward, 2016. xvii+267 pp. ISBN 9781527204553 (hbk)
Williams, Sean, ‘Flowing tides: history and memory in an Irish soundscape by Gearóid Ó hAllmhuráin. New York: Oxford University Press, 2016 (311 pp.)’ in New Hibernia review vol. 20, no 4 (winter 2016), pp. 144–146. Review
