When composing, you are always on a quest to find that elusive motif or melodic idea which will entice you to complete the tune. The beauty of this artform is that you have so many avenues to explore, and you can sometimes surprise yourself along the way. Two of my CDs Irish Music on the Clavichord 2015 and Irish Music on the Harpsichord 2018 were a case in point.
Both albums with funding from the Arts Council, were inspired by early harp music. These two albums featured eleven of my own compositions, in this ancient harping style. Even though I did not set out to record so many of my own compositions, the pieces evolved out of a love for each respective instrument and the associated repertoire.
Three compositions here are transcribed with a left-hand part suitable for harp or piano. In practice, I prefer sparse accompaniment that is almost part of the overall melodic texture, enhancing the melodic line, never dominating harmonically.
I also enjoy writing standard jigs and reels etc, but there are so many beautiful melodies already in existence, that this can seem futile; unless they are played and accepted by other musicians.
I recorded the hornpipe Tom’s Delight for the CD with John Weir and Eithne Ni Dhonaile and my recent recording with my sister Breda features two newly composed jigs. Composing for SATB choir is another passion of mine but that’s another story.
I hope you enjoy this selection of tunes.
Claire Keville, March 2023
